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Items (Sorted by Submit Date in Descending order): 1 to 20 of 76
Issue DateTitleAuthor(s)
2022Historicizing Absolute Music: Toward an Anti-Philosophy of Absolute MusicPrincipi, Dylan J
2022Designing a Computer-Assisted Meta-Composition Workflow: Stimulation of a Ludic Creative Process Through the Production of Audiovisual PiecesGhys, Florent Pierre
2022Ballet Missionary: Adolph Bolm’s American Enlightenment Agenda, 1917-1951Watts, Carolyn J.
2022Bad Vibrations: A History of Soviet-U.S. Musical ExchangeHonegger, Matthew
2022Les Tons Beaux de Ravel: On Pastoral and Other Myths of Modern Music in FranceShiflett, Campbell Peyton
2022A Shropshire Lad: Four Early Song CyclesCruttwell-Reade, Ninfea
2022Out of the HoleKaplan, Noah
2022Abstracting the Concrète: Sonic Storytelling and Abstract Narrative in the Compositional ProcessWeinberg, Alyssa
2022Adaptation as Composition: Flexible Approaches in RenewalCuong, Pham Viet
2021Harmonic Dualities in Sofia Gubaidulina's OffertoriumWilde, Lawrence Irving
2021Composing with Musical Instruments: Physicality and Instrument Intervention in the Creative ProcessHerron, Molly Maclin
2021Music for an Imagined Liturgy: Rethinking the Sound of Orthodoxy in Late Imperial RussiaSalkowski, David
2021Sixty Yeats of Sovetskaia muzyka: A History of a Soviet Music PeriodicalKhait, Julia
2021The “Se cerca” Script: Conventions and Creativity in an Eighteenth-Century Aria Tradition.Mitchell, Nathaniel Douglas
2020Networked Computer MusicNarveson, Jascha Wallace
2020Moaning with pleasure and keening through pain: Eroticism in the work of Patti Smith, Björk and Tanya TagaqPidgorna, Anna
2020Breaking the bel canto - straight tone false dichotomy: What composers have to learn from Dolly PartonSocolofsky, Annika K
2019Sonic Playground: The Influence of the Recording Studio on Mike Oldfield's Tubular BellsO'Halloran, Emma Mary
2019Felix Mendelssohn as Romantic ConductorTkalych, Lisa
Items (Sorted by Submit Date in Descending order): 1 to 20 of 76