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http://arks.princeton.edu/ark:/88435/dsp018k71nm242Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor | Wang, Matthew | - |
| dc.contributor | Villalta, Andrés | - |
| dc.contributor | Gordon, Jeffrey | - |
| dc.contributor | Chou, Katie | - |
| dc.contributor | Ayers, Christien | - |
| dc.contributor.author | Trueman, Daniel | - |
| dc.date.accessioned | 2022-03-24T20:08:22Z | - |
| dc.date.available | 2022-03-24T20:08:22Z | - |
| dc.date.created | 2021-09-01 | - |
| dc.date.issued | 2022-03-24 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp018k71nm242 | - |
| dc.identifier.uri | https://doi.org/10.34770/aan9-y363 | - |
| dc.identifier.uri | https://app.globus.org/file-manager?destination_id=dc43f461-0ca7-4203-848c-33a9fc00a464&destination_path=%2Faan9-y363%2F | - |
| dc.description | Harp Omnis: DPA 4060—omni-directionals These microphones are placed directly on the metal harp of the piano and positioned to capture a “high strings / low strings” perspective of the piano (along the length of the harp). Such close positioning allows an engineer to ignore the natural stereo image a listener would experience, and therefore can be more freely positioned in a stereo image by the use of panning. Since they are a bit further from the hammers, they predominantly capture the sound of the vibrating strings and soundboard. File Naming Convention: C4 = middle C . Main note names: [note name][octave]v[velocity].wav -- e.g., “D#5v13.wav” . Release resonance notes: harm[note name][octave]v[velocity].wav -- e.g., “harmC2v2.wav” . Hammer samples: rel[1-88].wav (one per key) -- e.g., “rel23.wav” . Pedal samples: pedal[D/U][velocity].wav -- e.g., “pedalU2.wav” => pedal release (U = up), velocity = 2 (quicker release than velocity = 1) . | en_US |
| dc.description | This dataset is too large to download directly from this item page. You can access and download the data via Globus (See "https://www.youtube.com/watch?v=uf2c7Y1fiFs" for instructions on how to use Globus). | - |
| dc.description.abstract | The bitKlavier Grand consists of sample collections of a new Steinway D grand piano from nine different stereo mic images, with: 16 velocity layers, at every minor 3rd (starting at A0); Hammer release samples; Release resonance samples; Pedal samples. Release packages at 96k/24bit, 88.2k/24bit, 48k/24bit, 44.1k/16bit are available for various applications. | en_US |
| dc.description.tableofcontents | bitKlavierGrand_HarpOmni_44k16b, bitKlavierGrand_HarpOmni_48k24b, bitKlavierGrand_HarpOmni_88k24b, bitKlavierGrand_HarpOmni_96k24b | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | Princeton University | en_US |
| dc.rights | CC BY 4.0 International | en_US |
| dc.subject | bitKlavier | en_US |
| dc.subject | sample library | en_US |
| dc.subject | piano | en_US |
| dc.title | bitKlavier Grand Sample Library—Harp Omni Mic Image | en_US |
| dc.type | Dataset | en_US |
| dc.type | Sound | en_US |
| Appears in Collections: | bitKlavier | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| README_HarpOmni.txt | 10.45 kB | Text | View/Download | |
| The bitKlavier Grand.pdf | 8.51 MB | Adobe PDF | View/Download |
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