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Title: Buddhist Bubblegum: Esoteric Buddhism in the Creative Process of Arthur Russell
Authors: Marble, Matthew Elliott
Advisors: Trueman, Daniel
Tymoczko, Dmitri
Contributors: Music Department
Keywords: Arthur Russell
Creative Process
Downtown Scene
Matrical Thought
Subjects: Music
Issue Date: 2016
Publisher: Princeton, NJ : Princeton University
Abstract: Buddhist Bubblegum is a study on the role of esoteric Buddhism in the creative process of singer, cellist, composer, and producer, Arthur Russell (1951-1992). Largely ignored during his lifetime, Russell’s work has aroused mass interest in the 21st century. Tim Lawrence’s biography (Hold On to Your Dreams) and Matt Wolff’s documentary (Wild Combination) offer significant and well-researched insight into the artist’s life and work. Little attention, however, has been given to Russell’s actual compositions and musical notations, while his creative process is often reduced to allusion and mystery. After spending several years with the scores and notebooks in Russell’s archive, as well as interviewing many of his friends and collaborators, I discovered a large body of work strategically guided by Vajrayana Buddhism. From his teenage years on a Buddhist commune until his last performances in New York, Russell sought to directly apply Vajrayana techniques--mantra, meditation, visualization, sadhana rituals--to his music, which he called “Buddhist bubblegum.” The initial chapters outline the esoteric spiritual influences that guided Russell’s music. I explore his life-long practice of Shingon Buddhism, his later engagement with Tibetan Buddhism, his study of traditional North Indian music, as well as his use of numerology and astrology. The next chapters explore Russell’s early scores and the maturation of his compositional style. This development culminates with Russell’s largest work, Instrumentals, which was inspired by his Buddhist teacher. This leads us into an in-depth look at the making of Instrumentals, where we outline the unique “matrix” system of composition that Russell devised to compose the work. Next we see how Russell’s “matrix” system continued to inform his later works--his “mutant disco” opus, 24>24 Music, his orchestral collaboration with Robert Wilson, Tower of Meaning, and his work with the Singing Tractors. Finally, we explore the unique conceptual process which Russell used in composing his final full-length work, World of Echo. Buddhist Bubblegum outlines the creative process of an American artist whose unprecedentedly cross-genre work uniquely fused spiritual and musical disciplines.
Alternate format: The Mudd Manuscript Library retains one bound copy of each dissertation. Search for these copies in the library's main catalog:
Type of Material: Academic dissertations (Ph.D.)
Language: en
Appears in Collections:Music

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