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Issue DateTitleAuthor(s)
2018A COLLECTION UNBOUND: TOWARD A NEW VIEW OF VIENNB 11883Olive, Kara Lynn
2022A Shropshire Lad: Four Early Song CyclesCruttwell-Reade, Ninfea
2022Bad Vibrations: A History of Soviet-U.S. Musical ExchangeHonegger, Matthew
2019Brahms as ReaderPhillips, Reuben
2024Complete Fantasy: The Imagination in Musical Discourses of the Long Nineteenth CenturyHines, Jane
2020CONCERT HALLS & WEEKLY JOURNALS: FICTIVE MUSIC CRITICISM IN GERMAN ROMANTICISMToland, Sean William
2024Counterpoint: Musical Skill and Literary Practice in Early Modern EnglandHarrison Louth, Isaac Timothy
2018David Lang's ArchiveAschheim, Victoria
2019“DON’T FENCE ME IN”: CULTURE, STYLE, AND IDENTITY IN COLE PORTER’S LONDON WORKS (1918-1954)Quinn, Arianne Johnson
2019Felix Mendelssohn as Romantic ConductorTkalych, Lisa
2024Forging a Global Avant-Garde: African Experimental Music, Transnational Circulation, and Postcolonial RadioBrady, Sophie Angeline
2021Harmonic Dualities in Sofia Gubaidulina's OffertoriumWilde, Lawrence Irving
2022Historicizing Absolute Music: Toward an Anti-Philosophy of Absolute MusicPrincipi, Dylan J
2018Karol Szymanowski's Harnasie: Folk Modernism for a New PolandOchs, Ruth Amelia
2022Les Tons Beaux de Ravel: On Pastoral and Other Myths of Modern Music in FranceShiflett, Campbell Peyton
2024Lines of Thought: Notations and Histories of Music Theory from Abbasid Baghdad (762–1055)Camprubí, Marcel
2024Love, Lieder, and the Gendered Poetics of Musical Transcendence, c.1780-1850Parton, Christopher
2021Music for an Imagined Liturgy: Rethinking the Sound of Orthodoxy in Late Imperial RussiaSalkowski, David
2017Musical Descents: Creating and Re-Creating Hell in Italian Opera, 1600-1680Shanti, Aliyah Meena
2020Networked Computer MusicNarveson, Jascha Wallace
Showing results 1 to 20 of 30  next >