Browsing by Academic Advisor Cheng, Anne
Showing results 1 to 20 of 20
| Class Year | Author(s) | Title | Advisor |
| 2014 | Li, Dixon | Between Mold and Molt: Aesthetics and the Matter of Race | Cheng, Anne |
| 2015 | Jung Yang, Helen Hyoun | The Drama of the American Empire and the Art of Vertigo in Herman Melville’s Typee | Cheng, Anne |
| 2022 | Lee, Cammie | The Entropy of Smell: Theorizing a Logic of Olfaction Through the Art and Literature of Asian Women | Cheng, Anne |
| 2013 | Farrell, Virginia | Ex-Human Houseguests: Horror/Television’s Domestication, Reproduction, and Resurrection
In American Horror Story and The Walking Dead | Cheng, Anne |
| - | Aronowicz, Yaron Shlomo | Fascinated Moderns: the Attentions of Modern Fiction | DiBattista, Maria; Cheng, Anne |
| 2019 | Feldman, Max | Film and the "Moving Now" Conception of Time | Cheng, Anne |
| 2007 | Greywoode, Ruby C. | From Mothers to Mothering: Correlating Representations in the Novels of Jane Austen | Cheng, Anne |
| 2016 | Tao, Ye Annie | The Games We Play: Imagination and Power in Dystopian Youth Literature | Cheng, Anne |
| 2019 | Fryer-Davis, Christian | Gender in the Rwandan Genocide: The Individual in Relation to the State | Cheng, Anne |
| 2014 | Ku, Catherine | Hashtags and Headlines: The Evolving Narrative Forms of Journalism in the Digital Age | Cheng, Anne |
| 2013 | Cho, Diane Sue-Jin | Housekeeper, Homemaker, Streetwalker: Women Embodied by the House In Betty Smith’s A Tree Grows in Brooklyn | Cheng, Anne |
| 2022 | Huo, Alan | An Imaginative Arrangement of Gazing upon Yellow: A Photographic Reconfiguration of Asiatic Femininity | Cheng, Anne |
| 2008 | Yin, Sunshine W. | Liberation and Empowerment through Subversion of Madness: Ding Ling's Representation of Femininity's Relation to Illness | Cheng, Anne |
| - | Bain, Kimberly | On Black Breath | Cheng, Anne |
| 2023 | Kim, Ergene | Photographic Angst: Desire, Defect, & Death in Virginia Woolf's Orlando & Dazai Osamu's No Longer Human | Cheng, Anne |
| 2010 | Marshall, John Kenneth | The Portrait's Underside: Realist Women in Modernist Fiction, 1881-1931 | Cheng, Anne |
| 2015 | Jones, Chelsea | Reimagining Racial Passing through Colson Whitehead’s The Intuitionist and Helen Oyeyemi’s Boy, Snow, Bird | Cheng, Anne |
| 2011 | Glynn, Connor Matthew | Tearing the Masks from Gentlemen's Faces: Language, Social Reform, and Satire in the Works of Lu Xun and George Bernard Shaw | Cheng, Anne |
| 2011 | Cumberbatch, Shamayne Desa | Unapologetic Writing: Dismantling Beauty Through Shame, Hair, and the Miscegenous Female Body | Cheng, Anne |
| 2013 | Tam, Stephanie | WORLDS AFTER WAR: Negotiating Wounds and Witness
in J.R.R. Tolkien’s The Lord of the Rings
and Kazuo Ishiguro’s An Artist of the Floating World | Cheng, Anne |