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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01hx11xh571
 Title: Expansive Rock: Large-Scale Structure in the Music of Pink Floyd Authors: Cohen, Gilad Advisors: Burnham, Scott Contributors: Music Department Keywords: FormMusic analysisPink FloydPopular musicRockTranscriptions Subjects: Music Issue Date: 2015 Publisher: Princeton, NJ : Princeton University Abstract: The large-scale song was one of the major innovations of British rock in the 1970s. Many bands built such compositions as a series of sub-songs and instrumental interludes that varied greatly in harmony, rhythm, and instrumentation. Among the most successful bands of all time, Pink Floyd chose a fundamentally different approach: In each of their epic songs “Echoes,” “Shine On You Crazy Diamond,” and “Dogs,” they used a small amount of cohesive thematic material and expanded it dramatically using heavy repetition and a slow harmonic pace. It seems unlikely that such a structure could retain a sense of variety, direction, and cohesiveness over the course of a prolonged duration. Through original transcriptions and analyses of harmonic progressions, guitar solos, sung melodies, accompaniment patterns, form, and sound, this dissertation explores and assesses the ways in which these three pieces meet the challenge issued by their seemingly limiting structure. “Echoes” marks a transition from the band’s experimental era into their mature, carefully-organized style. While a considerable sense of progression is gained throughout the track by an effective harmonic skeleton as well as a motivic development of a single seed, the piece’s momentum is weakened due to lengthy static sections that do not cohere with the rest of the material. I suggest that "Shine On You Crazy Diamond" maintains vitality over its duration through a musical structure that corresponds to five psychological stages of grief: numbness, yearning, anger, depression, and acceptance. Possibly portraying the bereavement process of the band from its founder and original front man Syd Barrett, this emotional arc imbues the piece with a raw, genuine, and thus powerful framework. While more than half of “Dogs” is based on a single harmonic progression, the song employs an inspired scheme of structurally foundational guitar solos, a motivic use of melodic and harmonic tension, and a meticulously woven fabric of text, harmony, texture, sound, and instrumentation. As a result, this track constantly maintains a propulsive forward drive. The achievements of these three songs, especially considering their thematic economy, make them stand out within the family of epic rock songs. URI: http://arks.princeton.edu/ark:/88435/dsp01hx11xh571 Alternate format: The Mudd Manuscript Library retains one bound copy of each dissertation. Search for these copies in the library's main catalog Type of Material: Academic dissertations (Ph.D.) Language: en Appears in Collections: Music

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