Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp019s161846m| Title: | Backstage Clichés: Men as Personifications of Ballet in The Red Shoes (1948), Carmen (1983) and Black Swan (2010) |
| Authors: | Pearsall, Miriam L. |
| Advisors: | Bowlby, Rachel |
| Contributors: | Levy, Lital |
| Department: | Comparative Literature |
| Class Year: | 2015 |
| Extent: | 66 pages |
| URI: | http://arks.princeton.edu/ark:/88435/dsp019s161846m |
| Type of Material: | Princeton University Senior Theses |
| Language: | en_US |
| Appears in Collections: | Comparative Literature, 1975-2023 |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| PUTheses2015-Pearsall_Miriam_L..pdf | 574.35 kB | Adobe PDF | Request a copy |
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