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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp019s161846m
Title: Backstage Clichés: Men as Personifications of Ballet in The Red Shoes (1948), Carmen (1983) and Black Swan (2010)
Authors: Pearsall, Miriam L.
Advisors: Bowlby, Rachel
Contributors: Levy, Lital
Department: Comparative Literature
Class Year: 2015
Extent: 66 pages
URI: http://arks.princeton.edu/ark:/88435/dsp019s161846m
Type of Material: Princeton University Senior Theses
Language: en_US
Appears in Collections:Comparative Literature, 1975-2016

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