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Music

Items (Sorted by Submit Date in Descending order): 21 to 40 of 86
Issue DateTitleAuthor(s)
2021Composing with Musical Instruments: Physicality and Instrument Intervention in the Creative ProcessHerron, Molly Maclin
2021Music for an Imagined Liturgy: Rethinking the Sound of Orthodoxy in Late Imperial RussiaSalkowski, David
2021Sixty Yeats of Sovetskaia muzyka: A History of a Soviet Music PeriodicalKhait, Julia
2021The “Se cerca” Script: Conventions and Creativity in an Eighteenth-Century Aria Tradition.Mitchell, Nathaniel Douglas
2020Networked Computer MusicNarveson, Jascha Wallace
2020FLUX AND STASIS IN THE MUSIC OF FELDMAN, RADIGUE, & YOUNGErgun, Cenk
2020Moaning with pleasure and keening through pain: Eroticism in the work of Patti Smith, Björk and Tanya TagaqPidgorna, Anna
2020Breaking the bel canto - straight tone false dichotomy: What composers have to learn from Dolly PartonSocolofsky, Annika K
2019Sonic Playground: The Influence of the Recording Studio on Mike Oldfield's Tubular BellsO'Halloran, Emma Mary
2019Felix Mendelssohn as Romantic ConductorTkalych, Lisa
2019Haydn and Mozart as OrchestratorsRogerson, Christopher Alden
2019This Woman's Work: A Composers Perspective on Vocality and Narrative in the work of Kate BushFeery, Amanda Mary
2019“DON’T FENCE ME IN”: CULTURE, STYLE, AND IDENTITY IN COLE PORTER’S LONDON WORKS (1918-1954)Quinn, Arianne Johnson
2019The Classical-Period Development Section: Compositional Strategies of Haydn, Mozart, Beethoven, and SchubertMatthay, Christopher
2019Brahms as ReaderPhillips, Reuben
2018David Lang's ArchiveAschheim, Victoria
2018Harmony and Voice-Leading in The Rite of SpringRussell, Jonathan
2018Singing in the City of Angels: Race, Identity, and Devotion in Early Modern Puebla de los ÁngelesChavez Barcenas, Ireri Elizabeth
2018A COLLECTION UNBOUND: TOWARD A NEW VIEW OF VIENNB 11883Olive, Kara Lynn
2018Karol Szymanowski's Harnasie: Folk Modernism for a New PolandOchs, Ruth Amelia
Items (Sorted by Submit Date in Descending order): 21 to 40 of 86