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Browsing by Academic Advisor Heller, Wendy

Showing results 1 to 16 of 16
Class YearAuthor(s)TitleAdvisor
2017Manning, MichaelAs Above, So Below: The Life and Work of Owsley "Bear" StanleyHeller, Wendy
2012Shukla, SaraswathiConsuming Opera: Transcriptions for Harpsichord in the Ancien Regime, 1760-1774Heller, Wendy
2003Brandau, RyanDido Divided: The Construction of Redemption in Henry Purcell's Dido and AeneasHeller, Wendy
2004Costanzo, Anthony RThe Double Life of ZefirinoHeller, Wendy
-Levenberg, JeffGiovanni d'Avella's Regole di Musica: A Defense of Gesualdo's ChromaticismHeller, Wendy
2018Le Van, SarahThe Influence of the Pre-Raphaelites in Debussy’s La Damoiselle élueBellos, David; Heller, Wendy
2016O'Donovan, HeatherJeannette’s Wedding Day An English-Language Chamber Opera Adaptation of Victor Massé’s Les Noces de JeannetteHeller, Wendy
-Pehl, Christa LynnMEN, WOMEN, AND THEIR MANUSCRIPTS: MUSICAL CULTURE IN PENNSYLVANIA IN THE 1790sHeller, Wendy
2005Cheung, AllisonMusic and the Mind: Localizing Musical Functions in the BrainHeller, Wendy
2017Ko, Saunghee“My Soul is Strong, and My Heart Steadfast”: The Underlying Feminism in Robert Schumann’s Frauenliebe und LebenHeller, Wendy
-Steiner, Katherine Hope KennedyNotre Dame in Scotland: W1 and Liturgical Reform at St AndrewsHeller, Wendy; Jeffery, Peter
2000Lin, DianeThe Poet's Tears: Thwarted Love in Jacques Offenbach's Les Contes d'HoffmannHeller, Wendy
2014Buzard, KatherinePowerful Voices: The Rise of the Prima Donna in Seventeenth-Century VeniceHeller, Wendy
2014Cooper, SarahSacred versus Secular: Exploring religious themes in the mélodies, romances, and cantiques of Gabriel FauréBlix, Göran; Heller, Wendy
-Mitchell, Nathaniel DouglasThe “Se cerca” Script: Conventions and Creativity in an Eighteenth-Century Aria Tradition.Heller, Wendy
-Lockey, NicholasThe Viola as a Secret Weapon in Antonio Vivaldi's Orchestral Revolution: Sonority and Texture in Late Baroque Italian MusicHeller, Wendy